different attitude on the speaker's part. desu /used for explaining and reporting.N5/84-5ĭesu, Deshoo, Deshita /used as an answer.N5/144-5ĭewa, kore-de shitsuree-shimasu.N6/25 de irassharu (replacing desu).N8/44-5ĭekinai wake-ja arimasen-kedo.N3/84-5ĭekiru (to come about, to be able to).JW/46ĭemo (Ocha-demo nomimasen-ka).N1/94-5ĭenwa-ga tookute yoku kikoemasen.N3/147ĭeru (to go out, to leave, to graduate).JW/49 de irasshaimasu-ka vs.de irasshaimasen-ka.N7/23 compliment on a foreigner's Japanese.N6/42 None of them got nearly enough sleep these days but no one seemed to mind it. Nami looked up at him as he entered the room and smiled tiredly. He wished everyone a good night after dinner and cleaned the kitchen then headed towards the bedroom of the two women. completing someone's unfinished statement.N6/81 It was the end of the day and Sanji was on his way to switch places with Nami. complaints about the weather, heat.N7/108-9 checking the listener's understanding.N2/70-1Ĭhigau (to be different, to be incorrect).JW/40Ĭhotto.N1/58, 96-7, N6/22, N7/11, 133, N8/79Ĭhotto sono hen-made kimashita-node.N2/110-1Ĭhotto sono hen-made mairimashita-node.N6/24 attributing the merit to someone else.N6/91Īu (to see, to meet ).JW/33īakari (sen-en-bakari).N1/20-1, N5/112-3 asking someone to return a phone call.N6/32-3 asking how to read someone's name in kanji.N8/143 asking for instructions or permission.N8/154-5 approximate number, expressions of.N8/90-1Īrigatoo-gozaimashita.N2/112-3, N6/38Īrigatoo gozaimasu. approving the good points that the other person h.N8/36-7 apology for being a poor speaker.N4/92-3 (Happy New Year!).JW/16Īkumade (completely, totally, stubbornly, to the l.AE/1 adverbs anticipating a negative statement.N8/78-9 Osamu & Nobuko Mizutani, The Japan Times, Tokyo, 1987. N8 Nihongo Notes 8, Situational Japanese 3. Osamu & Nobuko Mizutani, The Japan Times, Tokyo, 1986. N7 Nihongo Notes 7, Situational Japanese 2. Osamu & Nobuko Mizutani, The Japan Times, Tokyo, 1984. N6 Nihongo Notes 6, Situational Japanese 1. Osamu & Nobuko Mizutani, The Japan Times, Tokyo, 1983. N5 Nihongo Notes 5: Studying Japanese in Context. Osamu & Nobuko Mizutani, The Japan Times, Tokyo, 1981. N4 Nihongo Notes 4: Understanding Communication in Japanese. Osamu & Nobuko Mizutani, The Japan Times, Tokyo, 1980. N3 Nihongo Notes 3: Understanding Japanese Usage. Osamu & Nobuko Mizutani, The Japan Times, Tokyo, 1979. N2 Nihongo Notes 2: Expressing Oneself in Japanese. Osamu & Nobuko Mizutani, The Japan Times, Tokyo, 1977. N1 Nihongo Notes 1: Speaking and Living in Japan. Ronald Suleski & Hiroko Masada, The Hokuseido Press, Tokyo 1982.Īkira Miura, Charles E. The codes used for the books are as follows:ĪE Affective Expressions in Japanese: A Handbook of Value-Laden Words in Everday English. The following list is an index to all the words and phrases discussed in Nihongo Notes 1-8, by Osamu and Nobuko Mizutani, as well as words and phrases discussed in Ronald Suleski and Hiroko Masada's Affective Expressions in Japanese and Akira Miura's Japanese Words and Their Uses. A hidden, Japanese female vocal jazz gem.Nihongo Notes Index Index to Nihongo Notes 1-8 Opening with the bilingual ballad "It's over", in which she sings in both English and Japanese, the album sees her covering standards that giants like Helen Merrill, Frank Sinatra, and Billie Holiday have popularized, while showcasing her vocal abilities that set her apart from her peers. Gogo Sanji No Aki is an album by vocalist Mayumi Sonoda - a jazz vocalist who looked up to Chris Connor and made her debut at a US Army camp at the age of 16 - that was recorded with the help of Kichiro Sugino's Trio. Albums such as 1980's Farewell My Johnny / Left Alone and 1978's Aya's Samba (STUDIOMUL 013LP) have reached cult status among fans as some of the best works to come out of the Japanese jazz scene. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz, to left-field pop. Johnny's Disk Record is an independent jazz label run by the owner of jazz cafe Kaiunbashi No Johnny located in Rikuzentakata City in Iwate Prefecture, Japan. Studio Mule present a reissue of Mayumi Sonoda with Kichiro Sugino Trio's Gogo Sanji No Aki, originally released on Johnny's Disk Record in 1982.
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